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Step back in time to the heart of the 1990s, the last great decade of rock music. We’re your weekly time machine to the era of grunge, alternative, indie rock, emo, Brit-pop, shoegaze, power pop, and post-punk. Our journey includes in-depth album reviews, insider interviews with key figures, and comprehensive cultural discussions. ’Dig Me Out: 90s Rock’ offers a deep dive into the music that defined a generation, providing a diverse range of sounds and stories that continue to influence artists today. What sets our podcast apart is our community of passionate listeners. You choose the artists, albums, and topics we explore, making ’Dig Me Out: 90s Rock’ a truly collaborative experience. Join us as we celebrate the unparalleled creativity and cultural significance of 90s music. If you’re a Nirvana, Built to Spill, Elastica, or Radiohead fan or fascinated with how the 90s impacted the sound of your favorite 80s artists, ’Dig Me Out: 90s Rock’ is your go-to podcast. Subscribe now and become part of a community that adores the last great decade of rock music. Let’s relive the 90s together!
Episodes

Tuesday Jul 21, 2020
#497: Mack Avenue Skullgame by Big Chief
Tuesday Jul 21, 2020
Tuesday Jul 21, 2020
Funk music might be most commonly associated with 1970s bands like Funkadelic, Parliament, Sly & The Family Stone, the Ohio Players, and other more, but the 1990s saw their fair share of funk enthusiasts slip into the alternative mainstream. The Red Hot Chili Peppers had become an MTV staple, Primus and Faith No More explored the outer edges, while bands like the Beastie Boys, Living Colour, Infectious Grooves and more put their own spin on the sound. In Ann Arbor, Michigan, the remnants of 80s hardcore bands the Necros, Laughing Hyenas, and others formed Big Chief, whose 1991 skewed towards the alternative metal sound. That would not be the case on their 1993 follow-up, Mack Avenue Skullgame. Dubbed an "Original Soundtrack" for a movie that does not exist, the album is a faithful throwback to the 70s blaxploitation sounds of soundtracks like Shaft, Superfly, Cleopatra Jones and others. The band lays down authentic if updated funk sounds and adds the necessary vocals of Thornetta Davis to add melodic punch. But like all soundtracks, can the concept work without the imagery to go with it?
Songs In This Episode:
Intro - My Name Is Pimp (Mack's Theme)
19:08 - One Born Every Minute (Doc's Theme)
24:18 - If I Had A Nickle For Every Dime
27:32 - No Free Love On The Street
32:55 - Cop Kisser (Mack F*cks Up The Scene At The Freezer)
Outro - Cut To The Chase
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