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Step back in time to the heart of the 1990s, the last great decade of rock music. We’re your weekly time machine to the era of grunge, alternative, indie rock, emo, Brit-pop, shoegaze, power pop, and post-punk. Our journey includes in-depth album reviews, insider interviews with key figures, and comprehensive cultural discussions. ’Dig Me Out: 90s Rock’ offers a deep dive into the music that defined a generation, providing a diverse range of sounds and stories that continue to influence artists today. What sets our podcast apart is our community of passionate listeners. You choose the artists, albums, and topics we explore, making ’Dig Me Out: 90s Rock’ a truly collaborative experience. Join us as we celebrate the unparalleled creativity and cultural significance of 90s music. If you’re a Nirvana, Built to Spill, Elastica, or Radiohead fan or fascinated with how the 90s impacted the sound of your favorite 80s artists, ’Dig Me Out: 90s Rock’ is your go-to podcast. Subscribe now and become part of a community that adores the last great decade of rock music. Let’s relive the 90s together!
Episodes
Tuesday Mar 15, 2022
Tuesday Mar 15, 2022
After their 1994 debut album not only failed to make a commercial dent for Polydor Records, but was also panned by critics and even the band themselves, Powderfinger returned to the studio with veteran Australian producer Tim Whitten (Hoodoo Gurus, The Go-Betweens, Clouds, etc.) for the sophomore album Double Allergic. The pairing paid off as the group put the studio to good use while maintaining a tight band feel that shifts between American alternative and more adventures diversions. The twin guitar work of Ian Haug and Darren Middleton carves out a wide range of sounds and textures that remain tasteful while dropping enough ear candy to make repeated listens pay off, while vocalist Bernard Fanning finds simple yet effective melodies to craft several radio-friendly tunes, all with the backing of a tight and versatile rhythm section.
Songs In This Episode:
Intro - Pick You Up
16:25 - Boing Boing
23:08 - Oipic
32:05 - Skinny Jean
40:09 - Come Away (Hidden Track)
Outro - Living Type
Support the podcast, join the DMO UNION at Patreon.
Tuesday Mar 08, 2022
Tuesday Mar 08, 2022
Though most people’s introduction to Stabbing Westward was via their major label debut, Ungod, in 1994, Christopher Hall (vocals) and Walter Flakus (keyboards) had been making music together since their college days nearly a decade earlier. Blending the industrial influences of Nine Inch Nails, Ministry and Skinny Puppy with the goth rock of early Smashing Pumpkins and Depeche Mode, Stabbing Westward found themselves smack dab in the middle of the mid-90s alternative wave and toured with a wide range of acts ranging from KISS to the Sex Pistols to Killing Joke to Placebo. While fans may have appreciated the consistent releases (Ungod in ‘94, Wither Blister Burn & Peel in ‘96, Darkest Days in ‘98), it put a strain on relationships within the band and, after being dropped by Columbia and releasing a self-titled album on Koch Records in ‘01, Stabbing Westward came to end. Hall started The Dreaming, a band very much in the vein of Stabbing Westward’s sound, while Flakus got into the radio business as a program director and DJ. A reunion in 2015 to celebrate the band’s formation 30 years prior led to occasional live shows and eventually Hall retired The Dreaming name to reform Stabbing Westward with Flakus and some of his Dreaming band members. In 2020, Stabbing Westward released three new songs which led to a full album of new material, Chasing Ghosts, out on March 18, the first Stabbing Westward in 21 years.
Songs In This Episode:
Intro - Save Yourself (from Darkest Days)
6:52 - Ghost (from Ghost EP)
Outro - What Do I Have To Do (from Wither Blister Burn & Peel)
Support the podcast, join the DMO UNION at Patreon.
Tuesday Mar 01, 2022
Tuesday Mar 01, 2022
A disaffected and laid-back vocal combined with loose playing will always draw a comparison to Pavement when talking 90s rock. And Pure definitely dabble in the slacker rock vibe, albeit with more chill than snark, and on Generation Six-Pack the chill is via a nice layer of fuzzy guitar that is somewhere between early Weezer and space rock Hum. The band uses some standard 90s tropes to good effect, like the quiet/loud dynamic of "Anna," while also integrating slide guitar to add a layer of distortion and countermelody while also integrating some bluesy licks, like on "The Tip" and "Denial." Where the record falters for us it may not for others - the relaxed approach occasionally smoothers what could have been some delicious power-pop-esque gems like on "Lemonade," where a slightly tighter approach would have resulted in a resilient earworm.
Songs In This Episode:
Intro - What It Is
12:52 - Nobody Knows I'm New Wave
18:37 - Monster
24:00 -The Tip
31:05 - Lemonade
Outro - Anna
Support the podcast, join the DMO UNION at Patreon.
Thursday Feb 24, 2022
Thursday Feb 24, 2022
After her band Clementine, with Reggie Watts (Comedy Bang! Bang!, The Late Late Show with James Corden) and Ryan Link, broke up, Heather Duby joined forces with noted Seattle producer Steve Fisk (Pigeonhed) to write and record what would become her 1999 Sub Pop debut, Post to Wire. A far cry from the punk and grunge acts the label was known for, Duby was released from her contract when Post to Wire failed to make waves. While she continued to make albums for Sonic Boom Records (2003’s Come Across the River, 2006’s Heather Duby), Duby was going through some deeply personal things which put her music career in the back seat. She moved to New York in 2007, was involved in a terrible bike accident in 2011, earned a Law degree in 2017 and recorded a new EP in 2018 with John Agnello (Dinosaur Jr., Sonic Youth, Son Volt) that hit streaming services until 2020.
Songs In This Episode:
Intro - Judith
6:16 - Falter
Outro - September
Support the podcast, join the DMO UNION at Patreon.
Tuesday Feb 22, 2022
Tuesday Feb 22, 2022
After the platinum, multi-hit single success of Cake's sophomore album Fashion Nugget, members Greg Brown (guitar and keyboard) and Victor Damiani (bass) left to form Deathray. It would take three years for their self-titled debut to be released, and while catchy pop-power and new-wave revivalists had brief moments in the spotlight during the 90s (Weezer, Matthew Sweet, The Posies, The Rentals, Imperial Teen), by 2000 their brand of dry, quick, and quirky pop had been kicked off the radio and MTV. As a result, Deathray probably isn't as well known to power-pop and general 90s rock audiences as it should be, with a quick thirty-five minutes and thirteen songs of catchy earworms that deserve a discovery.
Songs In This Episode:
Intro - My Lunatic Friend
13:07 - Scott
16:26 - Baby Polygon
22:41 - Zero
34:08 - This Time
Outro - Only Lies
Support the podcast, join the DMO UNION at Patreon.
Tuesday Feb 15, 2022
Tuesday Feb 15, 2022
Ending the 1980s with the creative one-two punch of Kiss Me Kiss Me Kiss Me and Disintegration, like many of their alternative college rock counterparts, The Cure were poised for global superstardom at the start of the next decade. Filled with compilations, live albums, and contributions to various soundtracks, the band managed two proper albums - 1992's Wish, which featured the now ubiquitous single "Friday, I'm In Love," and the polarizing "Wild Mood Swings," whose title accurately describes the inconsistent sound and musical approach.
Songs In This Episode:
Intro - A Letter To Elise (from Wish)
16:48 - Never Enough (from Mixed Up)
26:03 - Friday, I'm In Love (from Wish)
47:19 - The 13th (from Wild Mood Swings)
Outro - Maybe Someday (from Bloodflowers)
Support the podcast, join the DMO UNION at Patreon.
Tuesday Feb 08, 2022
Tuesday Feb 08, 2022
Ride's debut album Nowhere sits at the crossroad of 1980s and 90s rock. Shoegaze was still an underground curiosity, and Rider were initially lumped in with Slowdive, My Bloody Valentine, and Lush. But as much guitar noise and neo-psychedelia as the band dabbles in, there is an equal amount of 1960s jangle pop and Who-like bombast from the explosive rhythm section to help them stand out from the crowd. Sure, the production is stamped in 1980s reverb and chorus, but Ride were able to craft songs as well as noise to maximum effect.
Songs In This Episode:
Intro - Seagull
17:03 - Kaleidoscope
24:43 - Dreams Burn Down
30:21 - Nowhere
40:09 - Vapour Trail
Outro - In A Different Place
Support the podcast, join the DMO UNION at Patreon.
Thursday Feb 03, 2022
Thursday Feb 03, 2022
The Mommyheads are the quintessential artist for Dig Me Out. Formed in the late ‘80s by guys who went to a performing arts high school in New York City (yes, the same one that the movie/TV show Fame was based on) and who enjoyed experimenting with lo-fi recording equipment, The Mommyheads had no interest in aping what they were hearing on FM radio or MTV. Instead, they looked up to the underground bands that were also experimenting with 4-track recording, bands like Fish & Roses, They Might Be Giants, and Flaming Lips. In the early ‘90s, they signed with Simple Machines and released a long out-of-print collection of demos and 4-track recordings titled Swiss Army Knife. Dreams of “making it” led to a relocation to San Francisco where, after a string of indie releases on various labels, Geffen Records came calling. Like so many bands covered on the Dig Me Out podcast, the major label deal was not all it was cracked up to be and shortly after The Mommyheads’ self-titled album came out in ‘97, they were dropped and the band broke up. After drummer Jan Kotik passed away from cancer in 2008, the other members got back together and have been active (VERY active) ever since releasing new albums and re-issuing the albums from the ‘90s at a regular pace. A new album is due later in 2022 and there are no signs of slowing down.
Songs In This Episode:
Intro - In In Awe from The Mommyheads
8:31 - Wedding Day from Coming Into Beauty
Outro - Spiders from Flying Suit
Support the podcast, join the DMO UNION at Patreon.
Tuesday Feb 01, 2022
Tuesday Feb 01, 2022
Making commercially successful funky dance pop music amid Britpop's reign may have only been possible via Shaun Ryder. The then ex-Happy Monday hooked up with producer Danny Saber and a group of new cohorts to produce 1995's debut album by Black Grape, It's Great When You're Straight...Yeah. Mixing the big beats of Big Audio Dynamite with touches of ascendent electronic music like trip-hop, while still dipping a toe in the Madchester scene, there's plenty going as slide guitars and sitars brush up against funk basslines and saxophone solos. It's not entirely successful, but Ryder and Co. manage to push the best material to the limits and create a truly unique sound for the middle of the decade.
Songs In This Episode:
Intro - Reverend Black Grape
12:48 - Tramazi Party
20:08 - A Big Day In The North
30:41 - Shake Well Before Opening
Outro - Kelly's Heroes
Support the podcast, join the DMO UNION at Patreon.
Tuesday Jan 25, 2022
Tuesday Jan 25, 2022
Little did anyone know that a two-piece garage rock band from Detroit would kick off a sonic revolution in 1999. The White Stripes debut of minimalist blues paired down to just vocals, guitar, and drums wasn't completely without precedent in the underground music scene with bands like the Flat Duo Jets and Bassholes preceding them. And while it would be a few years and a few albums before the mainstream caught on, the core elements of The White Stripes sound were there from the start.
Songs In This Episode:
Intro - Jimmy the Exploder
20:07 - The Big Three Killed My Baby
26:53 - Sugar Never Tasted So Good
35:26 - Astro
40:56 - Slicker Drips
Outro - Cannon
Support the podcast, join the DMO UNION at Patreon.