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Episodes
J and Tim dig into the grunge, alt-rock, and indie albums that changed everything—the forgotten classics, the underappreciated masterpieces, and the legends worth hearing again. One album at a time. Let’s dig it out.
Episodes
Tuesday Aug 16, 2022
Tuesday Aug 16, 2022
Jon Crosby, the singer, songwriter, and multi-instrumentalist at the helm of VAST, was a well-regarded guitarist as a teen who signed a record deal with Elektra at just seventeen years old. On the debut, Crosby takes 90s industrial rock in the vein of Nine Inch Nails or Stabbing Westward and layers unexpected sounds, like Benedictine monks and Bulgarian women's choirs, to create haunting soundscapes that compliment his wide vocal range that can belt it out or croon with equal effectiveness. Visual Audio Sensory Theater is a true album, with extended intros and subtle connective tissue running throughout the record that will divide listeners today just as it did in 1998.
Songs In This Episode:
Intro - The Niles Edge
18:42 - I'm Dying
21:56 - Here
32:13 - Dirty Hole
40:24 - Touched
Outro - Pretty When You Cry
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Tuesday Aug 09, 2022
Tuesday Aug 09, 2022
Known for his talents on various stringed instruments, Ben Harper solidified his backing band as The Innocent Criminals on his fourth record, 1999's Burn To Shine. With that band arrangement, Harper delves into a variety of sounds, channeling the blues and folk that made up his early solo releases but continuing the louder sounds from his previous outing, The Will To Live. Through the twists and turns, from 70s-influenced blues rock to minor-key Zeppelin riffing, Harper and his band play with volume and dynamics throughout to create a unique sonic pallet that works until it doesn't.
Songs In This Episode:
Intro - Burn To Shine
15:53 - Steal My Kisses
27:00 - In The Lord's Arms
38:04 - Two Hands of a Prayer
56:33 - Beloved One
Outro - Forgiven
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Tuesday Aug 02, 2022
Tuesday Aug 02, 2022
Though Fu Manchu often comes up when discussing the stoner rock of Sleep, Kyuss, Queens of the Stone Age, Monster Magnet, and, the Orange County band has made the prime focus skate boarding, California vibes, and science fiction, all stuffed in a smoke-filled custom 70s van. As proponents of fuzzed-out guitar riffing, tight arrangements, catchy hooks, and finding the balance between bombast and restraint, Fu Manchu marks all our boxes. The fact they do such a good job not only writing great music, but creating an entire look and feel from album artwork to merchandise helps us look into what was once an aspirational idea of the West Coast to a pair of flat-land Ohio boys.
Songs In This Episode:
Intro - No Dice
18:33 - Drive
27:15 - King of the Road
34:56 - Boogie Van
40:35 - Weird Beard
Outro - Freedom of Choice
Support the podcast, join the DMO UNION at Patreon.
Tuesday Jul 26, 2022
Tuesday Jul 26, 2022
Montreal's Doughboys, like so many bands who tipped their toes in the power-pop sound, were mostly ignored by US listeners. Unless led by a ballad like the Goo Goo Dolls or pushing a punkier sound, artists with layered harmonies and a keen sense of melodic hooks were often overlooked for pure pop. On their 1993 album Crush, the band never compromise on the guitars, combining hardrock riffs with catchy leads and an occasional ripping solo. Only when the band slows down and gets dirgy does the momentum falter on an overall underappreciated gem.
Songs In This Episode:
Intro - Tearin' Away
18:00 - Fix Me
27:03 - Everything
30:25 - Neighborhood Villain
Outro - Shine
Support the podcast, join the DMO UNION at Patreon.
Tuesday Jul 19, 2022
Tuesday Jul 19, 2022
Bruce Kulick, a member of KISS from 1984 to 1996, and John Corabi, a member of Motley Crue from 1992 to 1997, joined forces to form Union with capable players Jamie Hunting on bass and Brent Fitz on drums. The songwriting style Corabi brought to Crue is evident from the first track "Old Man Wise," which combines classic hard rock riffs with melodies and vocals that fit well into 90s alternative and grunge, such as Alice In Chains. What helps make this something more than just another album is the small touches - the harmony vocals from all members paired with clean and unfussy production that serve the songs well.
Songs In This Episode:
Intro - Old Man Wise
13:56 - Around Again
20:20 - October Morning Wind
28:40 - Let It Flow
39:26 - Pain Behind Your Eyes
Outro - Get Off My Cloud
Support the podcast, join the DMO UNION at Patreon.
Thursday Jul 14, 2022
Thursday Jul 14, 2022
While G. Love is currently doing the press circuit to discuss his latest album, Philadelphia Mississippi, the affable blues artist is more than happy to talk about his experiences in the ‘90s. Born in Philadelphia and raised on the finest music that city had to offer in the ‘70s and ‘80s, namely soul and blues, G. Love moved to Boston to continue his busking career with hopes of landing a record deal. As glam became grunge, and grunge became pop-punk, G. Love’s alternative hip-hop with blues-style guitar playing was a bit of an anomaly though, in retrospect, artists like Beck and Fun Lovin’ Criminals could now be considered peers. A deal with Sony imprint Okeh was solidified in ‘94 with the release of the first G. Love and the Special Sauce album and G. Love got into the write, record, tour cycle for the rest of the decade releasing three more albums before the turn of the new century. Looking at G. Love’s discography, he never slowed down though he left Okeh to release solo - and band - albums on Brushfire Records, all the while maintaining a consistent touring lifestyle. 2022’s Philadelphia Mississippi was born out of pandemic SoulBques where G and his makeshift group of musician friends would hang out, grill up some meats, and sit around playing blues music. You can catch G. Love on stage opening the Dispatch/O.A.R. tour as well as headlining some of his own dates this summer.
Songs In This Episode:
Intro - Rhyme for the Summertime
8:06 - Baby's Got Sauce
Outro - Blues Music
Support the podcast, join the DMO UNION at Patreon.
Tuesday Jul 12, 2022
Tuesday Jul 12, 2022
In the 1990s Dinosaur Jr. was primarily the J Mascis show, with both Lou Barlow and Murph out of the band. Their 2000s reformation has resulted in a steady release of some of the band's best material, but the origins trace back to the early 80s and the high school hardcore band Deep Wound where J and Lou began. Then known only as Dinosaur, the band toned down the hardcore elements for more jangle, and with J growing into a guitar shredder somewhere between Sonic Youth and Neil Young. On each of their three releases, the band grows as songwriters and players, and production considerably improves as the studios and budgets slowly increase. We dive into the early years to hear the earliest inklings of what the band would later become on albums like Green Mind and Without A Sound.
Songs In This Episode:
Intro - The Leper from Dinosaur
17:49 - Repulsion from Dinosaur
28:21 - In a Jar from You're Living All Over Me
34:03 - The Lung from You're Living All Over Me
41:06 - No Bones from Bug
Outro - Freak Scene from Bug
Support the podcast, join the DMO UNION at Patreon.
Tuesday Jul 05, 2022
Tuesday Jul 05, 2022
Though known for a variety of harder post-hardcore bands like Helmet, Quicksand, Biohazard, and many more in the early 90s, the New York City indie music also include a number of outliers who had their major label moments. Like Soul Coughing or Firewater, Skeleton Key sought to do something slightly different. Sure, there are guitar-driven alternative rock tunes like "Wide Open" or "The Worlds Most Famous Undertaker," but the majority of the album isn't so straightforward. With a "junk" percussionist, there is a pallet of sounds not regularly heard on most alternative rock records of the decade.
Songs In This Episode:
Intro - Watch The Fat Man Swing
23:05 - Wide Open
28:22 - All The Things I've Lost
35:24 - Vomit Ascot
Outro - The Worlds Most Famous Undertaker
Support the podcast, join the DMO UNION at Patreon.
Tuesday Jun 28, 2022
Tuesday Jun 28, 2022
One-hit wonders are not unique to the 1990s, and revisiting sophomore albums is always a hit-or-miss experience. Double down on what made the band or artist successful, evolve the sound into something unexpected, or somewhere in between? After scoring a hit with "Counting Blue Cars" on their 1995 debut Pet Your Friends, Dishwalla returned in 1998 with And You Think You Know What Life's About. From the opening track, the band play with sounds and melodies that stretch from the industrial rock of Stabbing Westward to the big choruses of Oasis to the experimental quirk of Radiohead. The album is unafraid to go BIG, with soaring guitar lines and vocals, but does it add it up more than just a collection of disparate influences?
Songs In This Episode:
Intro - Healing Star
11:56 - Stay Awake
18:03 - Until I Wake Up
23:06 - Pop Guru
Outro - Bottom Of The Floor
Support the podcast, join the DMO UNION at Patreon.
Tuesday Jun 21, 2022
Tuesday Jun 21, 2022
The late mid-to-late 90s were overwhelming based on the number of new album releases each week. Unfortunately, that meant bands like Little John either had a breakout single and video or were quickly relegated to the cut-out bin. In the case of their 1996 album Derailer, full of pop-rock that veers between Dinosaur Jr. guitar riffs and the quirky lyrics and melodies of They Might Be Giants, the band crafted some earworms alongside some less engaging album tracks. From the opening title track to the Presidents Of The United States of America-esque "Evel Knievel," the band craft tight, fun songs that more people should know.
Songs In This Episode:
Intro - Fell From The Sun
15:24 - Shoelace
22:05 - Scared
31:40 - Evel Knievel
40:49 - Derailer
Outro - Down On Me
Support the podcast, join the DMO UNION at Patreon.