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Step back in time to the last great decade of rock music: the 1990s, with Dig Me Out. We’ve been producing weekly episodes for over 12 years, bringing you in-depth album reviews, insider interviews, and cultural discussions that provide a comprehensive look at the music of the time. Our community of passionate listeners chooses the artists, albums, and topics we feature, making it a collaborative experience for all. Join us as we celebrate the unparalleled creativity and cultural significance of the music of the 90s - subscribe now!
Episodes
Tuesday Oct 27, 2020
Tuesday Oct 27, 2020
For every obvious major label signing in the mid-90s trying to capitalize on the success of a variety of Seattle-sounding guitar bands, there was an equal number of head-scratchers that seem to make little sense in retrospect. Take Southern Culture on the Skids, a North Carolina rockabilly outfit that had kicked around since the mid-80s, but found a home on Geffen Records alongside Weezer, Sonic Youth, Veruca Salt, and White Zombie for their 1995 release Dirt Track Date. What the three-piece had going for them is a tight unit of skilled players steeped in American music history, smoothly transitioning from steel-pedal Hawaiian influenced ballads to B-52s-esque kitschy minimalist pop. Dirt Track Date may have only made the slightest dent thanks to its quirky single "Camel Walk," but like the swing revival, the attempt at recapturing the sounds of the past comes across as earnest rather than nostalgic.
Song In This Episode
Intro - Camel Walk
17:50 - Firefly
22:50 - Nitty Gritty
26:08 - Make Mayan A Hawaiian
Outro - 8 Piece Box
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Friday Oct 23, 2020
Friday Oct 23, 2020
For our latest Dig Me Out '80s episode, available only to our Patreon community, we revisit the 1981 album Fair Warning by Van Halen. While tensions mounted within the Van Halen camp between Eddie, Dave, and producer Ted Templemen, the band explored dark sounds and themes, integrating dirty disco grooves, screaming slide guitar, and synthesizer mayhem that marked a turning point in the Van Halen story.
Check out the first thirty-five minutes of this two-hour and fifteen-minute episode for free, join the Dig Me Out Union to access the previous dozen '80s episodes, vote in our monthly album pick polls, and more.
Tuesday Oct 20, 2020
Tuesday Oct 20, 2020
The success of the 1993 Screaming Trees album Sweet Oblivion and the single "Nearly Lost You" may have put Mark Lanegan on the mainstream map, but as a solo singer/songwriter, Lanegan was already successfully forging a different path with 1990's The Winding Sheet. By the time 1994's Whiskey For The Holy Ghost was released after a protracted recording period, the split between the streamlined grunge of the Trees and Lanegan's forays into folk and blues were fully on display. With only one track, the escalating "Boracho," featuring prominent electric guitar and distortion, the album finds more similarities with fellow Seattle folksters The Walkabouts (with whom Lanegan appeared as a guest) than most of his Seattle contemporaries. The result is Lanegan's voice, sought after as a collaborator for decades to come, fully out front, which serves him well while exposing some of the cracks in the instrumental performances and production.
Songs In This Episode:
Intro - House A Home
13:11 - The River Rise
17:47 - Boracho
31:18 - Sunrise
36:58 - Ride The Nightingale
Outro - Judas Touch
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Tuesday Oct 13, 2020
Tuesday Oct 13, 2020
With a major label budget backing them, Doug Martsch and his rotating cast of Built To Spill members made something special with 1997's Perfect From Now On. While his previous indie releases, along with Martsch's original band Treepeople, pointed to a capable songwriter and inventive guitar player, Perfect From Now On raised the bar for nearly every guitarist who studied J Mascis' frenetic shredding, Neil Young's extended jams, or Kevin Shields layered shoegaze. Thanks to the time on their side, layers of guitar intertwine throughout, switching between clean picking and fuzzed leads, backed by an array of studio indulgences that include a cello, mellotron, organ, and more. The result is lush and dreamy without losing its bite, and a timeless record that influenced a generation of artists that none have equaled.
Songs In This Episode:
Intro - Untrustable, pt 2
19:36 - Randy Describes Eternity
22:03 - Stop The Show
29:00 - Out Of Sight
Outro - I Would Hurt A Fly
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Tuesday Oct 06, 2020
Tuesday Oct 06, 2020
By 1998 the grunge bubble had burst even for the second wave, as sunnier, more eclectic alternative rock fought for radio airwave space against the upstart nu-metal bands and a resurgence of manufactured pop. One of the biggest hits was thanks to the Austin, Texas trio Fastball, whose sophomore album All The Pain Money Can Buy produced the cinematic single "The Way," which along with bands like Harvey Danger, The New Radicals, Imperial Teen, and others provided a momentary bubble of pop uncertainty. Fastball wasn't exactly a one-hit-wonder, charting two additional singles in the top 20. The album oscillates between the voices and styles of Tony Scalzo and Miles Zuniga, who craft concise tunes with enough diversity to touch on 60s pop psychedelics, 70s power-pop and 80s new wave without jarring inconsistencies.
Songs In This Episode:
Intro - The Way
27:20 - Out Of My Head
33:38 - Sooner Or Later
48:20 - Warm Fuzzy Feeling
51:11 - Charlie, The Methadone Man
Outro - Fire Escape
Support the podcast, join the DMO UNION at Patreon.